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Kasia Van Schaik

Kasia Van Schaik

Assistant Professor of English

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Kasia Van Schaik est née en Afrique du Sud, a grandi en Colombie-Britannique et a vécu à Toronto, Berlin et Montréal, où elle a obtenu un doctorat à l'Université McGill. Elle est actuellement professeure adjointe d'anglais et codirectrice du programme d'écriture créative à l'Université du Nouveau-Brunswick. Elle est l'autrice du recueil de nouvelles We Have Never Lived on Earth (2022), nominé pour le prix Giller, du recueil de poèmes Sea Burial Laws According to Country (2018) et du recueil d'essais co-édité Shelter in Text: Essays on Dwelling and Refuge (2025). Ses écrits ont été publiés dans Electric Literature, LA Review of Books, Geist, Maisonneuve Magazine et CBC. Elle a lu et présenté ses travaux lors de festivals littéraires, notamment le Métropolis Bleu et le Festival Imagination de Québec. Women Among Monuments, sa première monographie, paraîtra en février 2026. Crédit photo : Greg Sides

We Have Never Lived On Earth

Kasia Van Schaik’s debut story collection follows the journey of Charlotte Ferrier, a child of divorce raised by a single mother in a small town in British Columbia after moving from South Africa. Mother and daughter wait out the end of a bad year in a Mexican hotel; a friendship is tested as forest fires demolish Charlotte’s town; a childhood friend disappears while travelling through Europe; and a girl on the beach examines the memories of dying jellyfish. The stories traverse the most intimate and transforming moments of female experience in a world threatened by ecological crisis. Longlisted for the Scotiabank Giller Prize 2023.

Women Among Monuments

A lyrical meditation on the enduring obstacles women artists and writers face in a world still unaccustomed to recognizing female genius. What does it take for a woman to don the mantle of genius — a title long reserved for male artists? From her studies in Montreal to a dead-end job in Berlin, a midnight tour of Paris, a bankrupt art residency on the Toronto Islands, and a mysterious sculpture garden in the Karoo desert, South African—Canadian author and professor Kasia Van Schaik considers what it means for a young woman to call herself an artist and claim a creative life. Drawing on a diverse web of literary and cultural sources and artistic icons — from Georgia O’Keeffe to Ana Mendieta, Gertrude Stein to Jamaica Kincaid, Leslie Marmon Silko to Bernadette Mayer — Women Among Monuments asks, What, beyond a room of one’s own, are the necessary conditions for female genius? Where does the inner flint of artistic permission come from? What is the oxygen that keeps it burning? In her memoir interwoven with incisive biographies of female solitude, constraint, and perseverance, Van Schaik blazes a trail for more inclusive artmaking practices, communities, and monuments.
27
avril 2026

Women Among Monuments: A Conversation with Kasia Van Schaik

Kasia van Schaik was born in South Africa, raised in BC, and has lived in Toronto, Berlin, and Montreal, where she earned a doctorate from McGill. Kasia van Schaik is currently an assistant professor of English and the co-director of Creative Writing at UNB. Her books include the Giller-nominated story collection We Have Never Lived on Earth (2022), the poetry chapbook, Sea Burial Laws According to Country (2018), and the co-edited essay collection, Shelter in Text: Essays on Dwelling and Refuge (2025). Her writing has appeared in Electric Literature, the LA Review of Books, Geist, Maisonneuve Magazine, and the CBC. She has read and presented work at literary festivals including the Blue Metropolis and Quebec City's Imagination Festival. Forthcoming in February 2026, Women Among Monuments is her debut nonfiction book. Part cultural criticism, part memoir, Women Among Monuments is a meditation on the enduring obstacles women artists and writers face in a world still unaccustomed to recognizing female genius.
28
avril 2026

Cross-Genre Writing: a workshop with Triny Finlay, Rebecca Salazar and Kasia Van Schaik

This creative writing workshop explores cross-genre practices as spaces of experimentation, hybridity, and formal freedom. Drawing on the work and experience of Triny Finlay and the other hosts, the session invites participants to reflect on how texts move between genres (fiction, poetry, essay, performance, or theory) and what such crossings make possible in terms of voice, structure, and meaning. The workshop will combine discussion and creative prompts, encouraging writers to think beyond fixed categories and to experiment with genre as a dynamic, porous practice.